Showing posts with label the. Show all posts
Showing posts with label the. Show all posts

Sunday, February 26, 2017

The Commissions DSMS and CJEU case law what relationship

The Commissions DSMS and CJEU case law what relationship


The proposal
(for a directive on copyright
in the Digital Single Market)
As reported by this blog, on 14 September last the EU Commission unveiled its second copyright package, ie a new set of proposals [the first being the proposed regulation on cross-border content portability in December 2015] aimed at improving the existing EU copyright framework as part of its Digital Single Market Strategy (DSMS).


Among the contents of the package, so far what has attracted the greatest degree of attention is the Commissions proposal for a directive on copyright in the Digital Single Market (DSM Directive). 


Much has been said on the ambitiousness (or lack thereof) and merits (or demerits, depending on ones own perspective) of relevant provisions, notably those regarding new mandatory exceptions [Articles 3 to 6], a new related right in press publications [Article 11], and the so called value gap [Article 13].


Discussion has been focusing on the relationship between the new proposed directive and the existing body of legislation [for instance: is Article 13 compatible with the Ecommerce Directive? The DSM Directive is silent as regards how it relates to this piece of EU legislation] and the economic/legal rationale of the various initiatives [do we really need a new related right for press publishers, and will it change anything?].


The DSM Directive and the CJEU: why asking?


What however appears to have been left partly out of the debate is what relationship the DSM Directive has and will have with the existing body of case law of the Court of Justice of the European Union (CJEU).


The question is worth addressing for two main reasons, I think.


First, because the DSM Directive itself attempts a codification of CJEU case law. Examples are Recital 38 [with regard to the 2009 decision in LOréal, noted hereand Recital 36 [with regard to the 2015 decision in Reprobel, noted here].


Secondly, because the DSM refers to key concepts but fails to define them. This is particularly the case of communication to the public. For instance, from Recital 38 it is apparent that an obligation for hosting providers that "store and provide access to the public to copyright protected works or other subject-matter uploaded by their users" to conclude licensing agreements with rightholders arises when they perform an act of communication to the public. Similarly, with regard to the press publishers right, Recital 33 clarifies (?) that this new related right would not go as far as including "acts of hyperlinking which do not constitute communication to the public" within its scope.


Does the proposed directive
re-write certain CJEU case law?
(1) A "codification" of existing CJEU case law: a good attempt?


Starting from the first question, while in principle it is laudable that policy action considers and addresses the implications of judicial decisions, in the case of the DSM Directive this attempt may prove controversial.


Recital 38 states that "[i]n respect of Article 14 [of the Ecommerce Directive], it is necessary to verify whether the service provider plays an active role, including by optimising the presentation of the uploaded works or subject-matter or promoting them, irrespective of the nature of the means used therefor." 


From this it could appear that: optimisation ? active role ? ineligibility for Article 14 safe harbour

But is this what the CJEU really said in LOréal [and previously, in Google France]? Didnt the Court rather state [simplifying] that: active role, eg optimisation ? knowledge/control data stored ?  ineligibility for Article 14 safe harbour

Rather than codifying LOréal - at Recital 38 the Commission has created done something different, in the sense that the knowledge/control element appears to have vanished. Does this mean that falling within Article 14 safe harbour might become increasingly difficult for hosting providers that give access to "large amounts of works"? If it was sufficient for a hosting provider to optimise results [even by means of an automated process and even without the need for any knowledge/control of relevant data] to be outside the boundaries of the safe harbour, then Article 14 would become applicable in the [very tiny, eg possibly only Dropbox-like situations] minority of cases ...


Turning to Recital 36, the Commission appears to link the introduction of a press publishers right to the outcome of the Reprobel case. But did that case [beneficiaries of private copying levies on printers sales] have to do with "press publications" or "digital uses" at all? No, so the raison dêtre of Recital 36 is a bit difficult to grasp ...


Acts of "communication to the public"
(2) Lack of definition of key concepts

Turning to the second point, the DSM Directive refers extensively to a concept that the InfoSoc Directive itself fails to define, ie "communication to the public".


It has taken the CJEU several judgments to try and make sense of the notion of "communication to the public", but as of today it is unclear whether the subjects referred to in Article 13 of the DSM Directive would be considered as making acts of communication to the public themselves. Yet, the entire Article 13 is built - and almost considers it a given - on the idea that hosting providers may be primarily liable for unauthorised acts of communication ...


In the recent GS Media decision [discussed herehereherehere], the CJEU confirmed that if one construes communication as merely requiring the making available of a work, ie without the need for any actual transmission, then what needs to be considered is "the indispensable role played by the user and the deliberate nature of its intervention. The user makes an act of communication when it intervenes, in full knowledge of the consequences of its action, to give access to a protected work to its customers, and does so, in particular, where, in the absence of that intervention, its customers would not, in principle, be able to enjoy the ... work" [para 35]

One could wonder whether in the case of hosting platforms, it is the host or rather the user that plays such indispensable role to give access to a protected work.


As I noted here, in light of certain decisions of the CJEU and national courts alike, it may be argued that – in the case of a copyright work made available through the service of a passive online intermediary (host) – the latter would not commit an act of (unauthorised) communication to the public (potentially giving rise to primary liability for copyright infringement), because the role that is ‘indispensable’ in the whole process is the one of the third-party/uploader, rather than that of the hosting provider. 

Should anything be changed
in the proposed directive?
A similar degree of uncertainty also exists in relation to Recital 33, with the addition that in the case of the press publishers right it is not entirely clear why Article 11 refers to the making available right [ie a sub-species of the right of communication to the public, as the CJEU clarified in C More, noted here] while Recital 33 refers to the right of communication to the public ...


All in all the DSM Directive fails to define what is to be intended by "communication to the public" and the questions becomes whether this would raise uncertainties when determining when a host provider is required - as opposed to merely invited - to conclude licensing agreements.

Conclusion


Unlike legislative proposals advanced in the past, from the DSM Directive it is clear that EU legislature is to give account not only of existing legislation but also CJEU case law and its impact. 


While this demonstrates both the relevance of the CJEU in shaping the EU copyright regime and the attention that different EU institutions devote to each others activity, it also raises questions regarding the substance of such interplay and resulting power struggles.


On the one hand, the DSM Directive seems to engage in an attempt to codify or even re-write and remedy to negative [negative, but for whom?] outcomes of CJEU cases. Recital 38 and LOréal is an example but an even more bizarre one if Recital 36 and Reprobel ...


On the other hand, certain provisions in the DSM Directive [eg Article 13] are built around certain key notions, eg communication to the public, that at the legislative level are defined nowhere. The question thus becomes whether the resulting gaps should be filled by referring to relevant CJEU decisions. If this was the case than the results might not be those wished for by certain categories of stakeholders ...

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Saturday, February 25, 2017

Harry Potter and the Order of the Phoenix by J K Rowling

Harry Potter and the Order of the Phoenix by J K Rowling



Harry Potter and the Order of the Phoenix by J.K. Rowling ibook
Grade 4 Up-Harry has just returned to Hogwarts after a lonely summer. Dumbledore is uncommunicative and most of the students seem to think Harry is either conceited or crazy for insisting that Voldemort is back and as evil as ever.
Angry, scared, and unable to confide in his godfather, Sirius, the teen wizard lashes out at his friends and enemies alike. 
The head of the Ministry of Magic is determined to discredit Dumbledore and undermine his leadership of Hogwarts, and he appoints nasty, pink-cardigan-clad Professor Umbridge as the new Defense Against the Dark Arts teacher and High Inquisitor of the school, bringing misery upon staff and students alike. 
This bureaucratic nightmare, added to Harrys certain knowledge that Voldemort is becoming more powerful, creates a desperate, Kafkaesque feeling during Harrys fifth year at Hogwarts.
The adults all seem evil, misguided, or simply powerless, so the students must take matters into their own hands. Harrys confusion about his godfather and father, and his apparent rejection by Dumbledore make him question his own motives and the condition of his soul. Also, Harry is now 15, and the hormones are beginning to kick in. There are a lot of secret doings, a little romance, and very little Quidditch or Hagrid (more reasons for Harrys gloom), but the power of this book comes from the young magicians struggles with his emotions and identity. Particularly moving is the unveiling, after a final devastating tragedy, of Dumbledores very strong feelings of attachment and responsibility toward Harry. 
Children will enjoy the magic and the Hogwarts mystique, and young adult readers will find a rich and compelling coming-of-age story as well.

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A Harry Potter Novel Series Book 5

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Dudley Demented
The hottest day of the summer so far was drawing to a close and a drowsy silence lay over the large, square houses of Privet Drive. Cars that were usually gleaming stood dusty in their drives and lawns that were once emerald green lay parched and yellowing; the use of hosepipes had been banned due to drought. Deprived of their usual car-washing and lawn-mowing pursuits, the inhabitants of Privet Drive had retreated into the shade of their cool houses, windows thrown wide in the hope of tempting in a nonexistent breeze. The only person left outdoors was a teenage boy who was lying flat on his back in a flower bed outside number four.
He was a skinny, black-haired, bespectacled boy who had the pinched, slightly unhealthy look of someone who has grown a lot in a short space of time. His jeans were torn and dirty, his T-shirt baggy and faded, and the soles of his trainers were peeling away from the uppers. Harry Potter’s appearance did not endear him to the neighbors, who were the sort of people who thought scruffiness ought to be punishable by law, but as he had hidden himself behind a large hydrangea bush this evening he was quite invisible to passersby. In fact, the only way he would be spotted was if his Uncle Vernon or Aunt Petunia stuck their heads out of the living room window and looked straight down into the flower bed below.
On the whole, Harry thought he was to be congratulated on his idea of hiding here. He was not, perhaps, very comfortable lying on the hot, hard earth, but on the other hand, nobody was glaring at him, grinding their teeth so loudly that he could not hear the news, or shooting nasty questions at him, as had happened every time he had tried sitting down in the living room and watching television with his aunt and uncle.
Almost as though this thought had fluttered through the open window, Vernon Dursley, Harry’s uncle, suddenly spoke. “Glad to see the boy’s stopped trying to butt in. Where is he anyway?”
“I don’t know,” said Aunt Petunia unconcernedly. “Not in the house.”
Uncle Vernon grunted.
“Watching the news …” he said scathingly. “I’d like to know what he’s really up to. As if a normal boy cares what’s on the news — Dudley hasn’t got a clue what’s going on, doubt he knows who the Prime Minister is! Anyway, it’s not as if there’d be anything about his lot on our news —”
“Vernon, shh!” said Aunt Petunia. “The window’s open!”
“Oh — yes — sorry, dear …”
The Dursleys fell silent. Harry listened to a jingle about Fruit ’N Bran breakfast cereal while he watched Mrs. Figg, a batty, cat-loving old lady from nearby Wisteria Walk, amble slowly past. She was frowning and muttering to herself. Harry was very pleased that he was concealed behind the bush; Mrs. Figg had recently taken to asking him around for tea whenever she met him in the street. She had rounded the corner and vanished from view before Uncle Vernon’s voice floated out of the window again.
“Dudders out for tea?”
“At the Polkisses’,” said Aunt Petunia fondly. “He’s got so many little friends, he’s so popular …”
Harry repressed a snort with difficulty. The Dursleys really were astonishingly stupid about their son, Dudley; they had swallowed all his dim-witted lies about having tea with a different member of his gang every night of the summer holidays. Harry knew perfectly well that Dudley had not been to tea anywhere; he and his gang spent every evening vandalizing the play park, smoking on street corners, and throwing stones at passing cars and children. Harry had seen them at it during his evening walks around Little Whinging; he had spent most of the holidays wandering the streets, scavenging newspapers from bins along the way.
The opening notes of the music that heralded the seven o’clock news reached Harry’s ears and his stomach turned over. Perhaps tonight — after a month of waiting — would be the night —
“Record numbers of stranded holidaymakers fill airports as the Spanish baggage-handlers’ strike reaches its second week —”
“Give ’em a lifelong siesta, I would,” snarled Uncle Vernon over the end of the newsreader’s sentence, but no matter: Outside in the flower bed, Harry’s stomach seemed to unclench. If anything had happened, it would surely have been the first item on the news; death and destruction were more important than stranded holidaymakers. …
He let out a long, slow breath and stared up at the brilliant blue sky. Every day this summer had been the same: the tension, the expectation, the temporary relief, and then mounting tension again … and always, growing more insistent all the time, the question of why nothing had happened yet. …

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Thursday, February 23, 2017

The Boy Next Door by Meg Cabot

The Boy Next Door by Meg Cabot



Book cover of The Boy Next Door by Meg Cabot
Gossip columnist and single New York City girl Mel lives lives in the most exciting place in the world, yet shes bored with her lovelife. But things get interesting fast when the old lady next door is nearly murdered. 

Mel starts paying closer attention to her neighbors—what exactly is going on with the cute boy next door? 

Has Mel found the love of her life—or a killer?



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Grimm the Chopping Block by John Passarella

Grimm the Chopping Block by John Passarella



Grimm: the Chopping Block by John Passarella ibook image cover
A cache of bones is found in a shallow grave in local woods...

Meanwhile missing persons cases in Portland seem to be on the increase.
As more bones are discovered, Portland homicide Detective Nick Burkhardt and his partner Hank Griffin investigate - but there seems to be no connection between the victims...

A brand-new original story set in the Grimm universe.



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Brian Mathis wondered if he’d made a mistake bringing Tyler, his twelve-year-old son, to Claremont Park. Their little adventure had been fun and cheerful and full of father-son-bonding promise until they left behind the paved path and picnic tables, and wandered into the woods on a course prescribed by the virtual compass in the GPS app on Brian’s smartphone. The overnight rainfall had turned what would have been a reasonable hiking path into a treacherous endeavor. Lagging behind his father, Tyler had already fallen twice on gentle inclines slick with mud. And now the boy was coated with the stuff?hands, knees, shoes, and a caked spot on his chin he’d rubbed the same moment his patience had expired.
Victim of his own clumsy misadventure, Brian proceeded on a twisted ankle?which continued to throb in counterpoint to his heartbeat?and reminded himself to take his eyes off the compass now and then to pay attention to his footing. Minutes later, head down and cursing under his breath, he walked right into a low-hanging branch. Hell of an example he was setting for his kid.
“You said we were close, Dad,” Tyler groaned, prefacing that indictment with a prolonged sigh.
“We are close,” Brian said. “But I told you before. The coordinates aren’t exact.”
“So what’s the point?” Tyler hurled a rock the size of a ping-pong ball at the nearest tree trunk. The thwock of the impact startled a squirrel, which scampered along one branch, jumped to another nearby and scurried out of sight.
“Don’t throw rocks.”
“Nothing else to do.”
Ignoring the boy’s complaint, Brian explained, “The coordinates take us to the general vicinity, then we look around until we find it.”
“Why?”
“Because… it’s like searching for buried treasure.”
“I’m keeping it.”
“No,” Brian said. “We sign the logbook and leave the container where we found it. The honor system. If we take it, the next person will go through all this trouble for nothing.”
“You said I could take something,” Tyler reminded him.
“Swap something,” Brian said. This particular geocache supposedly contained small toys. If you took something, you were supposed to leave behind an object of equal value. “You brought a soldier?”
“Yeah,” Tyler said, rolling his eyes at his father.
It had been years since Tyler played with toy soldiers, which was why he had no qualms about leaving one behind. Tyler hoped for an upgrade, maybe a used video game or something equally unlikely. So his father had spent most of the car ride to the park trying to quash those expectations.
“The search is the fun part, not the prize at the end.”
“Some fun,” Tyler grumbled loud enough for his father to hear.
Secretly, Brian regretted not selecting a cache with the lowest level of difficulty for their first attempt. Instead, he’d chosen a cache closer to home, but with the next highest level of difficulty. A cache with toys, even cheap toys, he’d thought, would appeal to the boy. Brian’s second mistake was misjudging the rapid pace of Tyler’s maturity. At his current age, things transitioned from “cool” to “lame” in a hurry. Since the divorce, Brian saw his son less than he would have liked. The boy’s growth spurts took place in the uncompromising strobe light of his meager custody schedule.
As a bank of rain clouds passed overhead, the woods became prematurely dark. Shadows deepened like an ink spill soaking the ground around them. The odor of moist earth rose like a clinging mist, enveloping them.
Brian stopped, rubbed the back of his forearm across his damp forehead and said, “We’re here.”
Tyler stood beside him, turned in a circle and shrugged. “Nothing.”
“It’s here somewhere,” Brian assured him, but worried somebody before them might have removed the cache in violation of the honor system. If they left the park without finding anything, his son would never let him forget it. “Remember that time you dragged me through the woods in waist-deep mud for nothing?” Because exaggeration would become a key component in this particular trip down memory lane.
“What about the clue?” Tyler asked.
“Oh?right! The clue.” In his growing paternal anxiety, Brian had almost forgotten about the clue associated with the cache. He checked his phone. “It says, ‘Fall up the hill.’”
They both cast expectant gazes around, as if expecting a hillside to magically rise from the surrounding forest, crowned with a glowing treasure chest like a reward in one of Tyler’s video games.
“That hill?” Tyler finally asked, pointing straight ahead. Brian looked behind them, then straight ahead. They had been following an incline for a bit, something he might have noticed if he hadn’t been mesmerized by the compass on his cell phone. Ahead of them marked the top of the rise, surrounded by an irregular ring of deciduous trees in various states of decay.
“Must be it,” Brian acknowledged. “So how do we ‘fall up’?”
We both figured out the falling down part easily enough, he thought, with a chagrined shake of his head.
Tyler scrambled up the slope, littered with broken branches, twigs, and clumps of dead leaves well on their way to mulch that nevertheless rustled underfoot. He slipped once and caught himself on both hands before his knees touched the muddy ground again.
“Careful,” Brian said, making his own way upward, mindful of his tender ankle.
Tyler picked up a stout branch the length of a cane and swung it around to disperse the leaf mounds. When he reached down to flip over a football-sized rock, Brian caught his shoulder.
“Watch out for snakes,” he cautioned.
The possibility of encountering a snake, poisonous or otherwise, seemed to excite the boy’s imagination, but he took extra care as he grabbed the edge of the rock and flipped it over, poised to spring away to avoid the threat of fangs. Instead, he grunted in obvious disappointment as several freshly exposed worms coiled in the dirt.
Tyler circled to the left, poking and sweeping with his branch, while Brian wandered into a tangle of dried brush and broken tree limbs at the edge of the clearing. Brushing away twigs and dried leaves, he discovered a jagged tree stump and, angling away from it, on the far side of the rise, the decaying length of the entire tree trunk, which retained only a few scattered branches.
“A deadfall,” Brian whispered, then again, louder. “A deadfall.”
“What?” Tyler called, glancing briefly over his shoulder.
“This downed tree,” Brian called to his son. “It’s a deadfall.”
“So?” Tyler replied, more preoccupied with a section of tangled underbrush and loose mounds of dirt?excavated, no doubt, by some burrowing woodland creature?than his father’s pronouncement.
“Don’t you get it?” Brian asked. “The clue: ‘Fall up the hill.’ It’s a deadfall?on this hill.”
“You found it?”
“Not yet…” Brian pocketed his phone and swept both hands across the brittle and decaying debris piled around the deadfall. He omitted telling Tyler that this was a more likely spot for a hidden snake than the underside of a rock. Besides, if Brian had unraveled the clue to the cache’s location, he wanted to find it before leading the boy to yet another disappointment. Once he unearthed it, he’d call Tyler over to claim the prize. He might just salvage the day after all.
Crouching, Brian caught a glint of color in the natural pocket formed between the tree stump and its fallen trunk; something metallic, painted bright red. Gotcha! he thought in an unexpectedly strong moment of satisfaction.
Before calling his son over to claim the small square tin, he leaned forward to examine the shadowy depression. He swept the ground with the beam of his keychain flashlight. Though he doubted he’d find broken glass or rusty nails or even an irritable snake, he wanted to be sure, lest their excursion end on a sour note?or a trip to the emergency room.
“Tyler, come here,” Brian said. “Think I found something.”

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Wednesday, February 22, 2017

Kitty in the Box MOD APK 1 5 1 Unlimited Sardines

Kitty in the Box MOD APK 1 5 1 Unlimited Sardines


APK INFO
Name of Game: Kitty in the Box
VERSION: 1.5.1

Name of cheat:
-UNLIMITED SARDINES

Kitty in the Box MOD APK 1.5.1 (Unlimited Sardines)

Manual Step:
1. Install APK
2. Play

Download the OBB file/SD file. They should be .zip or .rar files.
Extract the file to your sdcard.
Move the extracted folder to the location: /sdcard/Android/obb

Google Play

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The Reason Why Video Entertainment is The Only Service To Increase Prices

The Reason Why Video Entertainment is The Only Service To Increase Prices


Over the past several decades, it would have been a reasonable question to ask why entertainment video service prices grew faster than inflation, while retail prices for communications services (voice, texting, Internet access) declined, either on a price-per-unit basis or in terms of absolute price per unit.

The answer is simple: entertainment video is about the purchase of content, not access to content.

Compared to voice, texting or Internet access, entertainment video is more akin to fashion than a utility service. And that means retail price is not a direct function of production cost.

That is clear in the latest Federal Communications Commission report on content prices in the U.S. linear video market.

However, given diminished consumer appetite for the traditional “big content bundles” and a shift to over-the-top or on-demand viewing, it will be necessary for most, if not all, providers to “just say no” to content providers and restrict the size of bundles.

That is going to shift the way content gets to market, with increasing amounts of programming moving through new services such as Netflix and Amazon Prime.

According to a new FCC report, the average monthly price of expanded basic service (the combined price of basic service and the most subscribed cable programming tier excluding taxes, fees, and customer premises equipment charges) for the communities surveyed grew by 2.7 percent over the 12 months ending January 1, 2015, to $69.03, compared to a decrease of 0.1 percent in the consumer price index.

That is to say, linear video prices rose by an order of magnitude more than the overall level of consumer prices.

This compares to a compound ten-year average rate of increase from 2005 to 2015 of 4.8 percent in the price of expanded basic and a 1.5 percent increase in the CPI.

To be sure, linear video providers have argued in the past that prices are up in large part because the number of channels offered in bundles has grown.

The price per channel (price divided by number of channels) for subscribers purchasing expanded basic service decreased by 1.8 percent over the 12 months ending January 1, 2015, to 46 cents per channel.

Over the 10 years from 2005-2015, the price per channel has declined by 1.4 percent on an average annual compound basis.

In the past, consumers might not have had as much choice. In the future, they will. Prices are going to come down. Still, the issue is whether entertainment video might still outperform voice, texting or Internet access, in some cases, in terms of absolute revenue contribution, price per unit or profit margin.

source: FCC


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Monday, February 20, 2017

Harry Potter and the Half blood Prince by J K Rowling

Harry Potter and the Half blood Prince by J K Rowling



Harry Potter and the Half-blood Prince by J.K. Rowling ibook cover
Opening just a few weeks after the previous book left off, the penultimate entry in the series is, as the author foretold, the darkest and most unsettling yet.

The deeds of Voldemorts Death Eaters are spreading even to the Muggle world, which is enshrouded in a mist caused by Dementors draining hope and happiness. Harry, turning 16, leaves for Hogwarts with the promise of private lessons with Dumbledore.
No longer a fearful boy living under the stairs, he is clearly a leader and increasingly isolated as rumors spread that he is the Chosen One, the only individual capable of defeating Voldemort. Two attempts on students lives, Harrys conviction that Draco Malfoy has become a Death Eater, and Snapes usual slimy behavior add to the increasing tension. Yet through it all, Harry and his friends are typical teens, sharing homework and messy rooms, rushing to classes and sports practices, and flirting. Ron and Hermione realize their attraction, as do Harry and Ginny.

Dozens of plot strands are pulled together as the author positions Harry for the final book. Much information is cleverly conveyed through Dumbledores use of a Pensieve, a device that allows bottled memories to be shared by Harry and his beloved professor as they apparate to various locations that help explain Voldemorts past. The ending is heart wrenching. Once again, Rowling capably blends literature, mythology, folklore, and religion into a delectable stew. This sixth book may be darker and more difficult, but Potter fans will devour it and begin the long and bittersweet wait for the final installment.

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A Harry Potter Novel Series Book # 6

Harry Potter and the Half-blood Prince by J.K. Rowling ebook cover photo image
It was nearing midnight and the Prime Minister was sitting alone in his office, reading a long memo that was slipping through his brain without leaving the slightest trace of meaning behind. He was waiting for a call from the President of a far distant country, and between wondering when the wretched man would telephone, and trying to suppress unpleasant memories of what had been a very long, tiring, and difficult week, there was not much space in his head for anything else. The more he attempted to focus on the print on the page before him, the more clearly the Prime Minister could see the gloating face of one of his political opponents. This particular opponent had appeared on the news that very day, not only to enumerate all the terrible things that had happened in the last week (as though anyone needed reminding) but also to explain why each and every one of them was the government’s fault.
The Prime Minister’s pulse quickened at the very thought of these accusations, for they were neither fair nor true. How on earth was his government supposed to have stopped that bridge collapsing? It was outrageous for anybody to suggest that they were not spending enough on bridges. The bridge was fewer than ten years old, and the best experts were at a loss to explain why it had snapped cleanly in two, sending a dozen cars into the watery depths of the river below. And how dare anyone suggest that it was lack of policemen that had resulted in those two very nasty and well-publicized murders? Or that the government should have somehow foreseen the freak hurricane in the West Country that had caused so much damage to both people and property? And was it his fault that one of his Junior Ministers, Herbert Chorley, had chosen this week to act so peculiarly that he was now going to be spending a lot more time with his family?
“A grim mood has gripped the country,” the opponent had concluded, barely concealing his own broad grin.
And unfortunately, this was perfectly true. The Prime Minister felt it himself; people really did seem more miserable than usual. Even the weather was dismal; all this chilly mist in the middle of July. … It wasn’t right, it wasn’t normal. …
He turned over the second page of the memo, saw how much longer it went on, and gave it up as a bad job. Stretching his arms above his head he looked around his office mournfully. It was a handsome room, with a fine marble fireplace facing the long sash windows, firmly closed against the unseasonable chill. With a slight shiver, the Prime Minister got up and moved over to the window, looking out at the thin mist that was pressing itself against the glass. It was then, as he stood with his back to the room, that he heard a soft cough behind him.
He froze, nose to nose with his own scared-looking reflection in the dark glass. He knew that cough. He had heard it before. He turned very slowly to face the empty room.
“Hello?” he said, trying to sound braver than he felt.
For a brief moment he allowed himself the impossible hope that nobody would answer him. However, a voice responded at once, a crisp, decisive voice that sounded as though it were reading a prepared statement. It was coming — as the Prime Minister had known at the first cough — from the froglike little man wearing a long silver wig who was depicted in a small, dirty oil painting in the far corner of the room.
“To the Prime Minister of Muggles. Urgent we meet. Kindly respond immediately. Sincerely, Fudge.”
The man in the painting looked inquiringly at the Prime Minister.
“Er,” said the Prime Minister, “listen. … It’s not a very good time for me. … I’m waiting for a telephone call, you see … from the President of —”
“That can be rearranged,” said the portrait at once. The Prime Minister’s heart sank. He had been afraid of that.
“But I really was rather hoping to speak —”
“We shall arrange for the President to forget to call. He will telephone tomorrow night instead,” said the little man. “Kindly respond immediately to Mr. Fudge.”
“I … oh … very well,” said the Prime Minister weakly. “Yes, I’ll see Fudge.”
He hurried back to his desk, straightening his tie as he went. He had barely resumed his seat, and arranged his face into what he hoped was a relaxed and unfazed expression, when bright green flames burst into life in the empty grate beneath his marble mantelpiece. He watched, trying not to betray a flicker of surprise or alarm, as a portly man appeared within the flames, spinning as fast as a top. Seconds later, he had climbed out onto a rather fine antique rug, brushing ash from the sleeves of his long pin-striped cloak, a lime-green bowler hat in his hand.
“Ah … Prime Minister,” said Cornelius Fudge, striding forward with his hand outstretched. “Good to see you again.”
The Prime Minister could not honestly return this compliment, so said nothing at all. He was not remotely pleased to see Fudge, whose occasional appearances, apart from being downright alarming in themselves, generally meant that he was about to hear some very bad news. Furthermore, Fudge was looking distinctly careworn. He was thinner, balder, and grayer, and his face had a crumpled look. The Prime Minister had seen that kind of look in politicians before, and it never boded well.
“How can I help you?” he said, shaking Fudge’s hand very briefly and gesturing toward the hardest of the chairs in front of the desk.
“Difficult to know where to begin,” muttered Fudge, pulling up the chair, sitting down, and placing his green bowler upon his knees. “What a week, what a week …”
“Had a bad one too, have you?” asked the Prime Minister stiffly, hoping to convey by this that he had quite enough on his plate already without any extra helpings from Fudge.
“Yes, of course,” said Fudge, rubbing his eyes wearily and looking morosely at the Prime Minister. “I’ve been having the same week you have, Prime Minister. The Brockdale Bridge … the Bones and Vance murders … not to mention the ruckus in the West Country …”
“You — er — your — I mean to say, some of your people were — were involved in those — those things, were they?”
Fudge fixed the Prime Minister with a rather stern look. “Of course they were,” he said. “Surely you’ve realized what’s going on?”
“I …” hesitated the Prime Minister.
It was precisely this sort of behavior that made him dislike Fudge’s visits so much. He was, after all, the Prime Minister and did not appreciate being made to feel like an ignorant schoolboy. But of course, it had been like this from his very first meeting with Fudge on his very first evening as Prime Minister. He remembered it as though it were yesterday and knew it would haunt him until his dying day.
He had been standing alone in this very office, savoring the triumph that was his after so many years of dreaming and scheming, when he had heard a cough behind him, just like tonight, and turned to find that ugly little portrait talking to him, announcing that the Minister of Magic was about to arrive and introduce himself.
Naturally, he had thought that the long campaign and the strain of the election had caused him to go mad. He had been utterly terrified to find a portrait talking to him, though this had been nothing to how he felt when a self-proclaimed wizard had bounced out of the fireplace and shaken his hand. He had remained speechless throughout Fudge’s kindly explanation that there were witches and wizards still living in secret all over the world and his reassurances that he was not to bother his head about them as the Ministry of Magic took responsibility for the whole Wizarding community and prevented the non-magical population from getting wind of them. It was, said Fudge, a difficult job that encompassed everything from regulations on responsible use of broomsticks to keeping the dragon population under control (the Prime Minister remembered clutching the desk for support at this point). Fudge had then patted the shoulder of the still-dumbstruck Prime Minister in a fatherly sort of way.
“Not to worry,” he had said, “it’s odds-on you’ll never see me again. I’ll only bother you if there’s something really serious going on our end, something that’s likely to affect the Muggles — the non-magical population, I should say. Otherwise, it’s live and let live. And I must say, you’re taking it a lot better than your predecessor. He tried to throw me out the window, thought I was a hoax planned by the opposition.”
At this, the Prime Minister had found his voice at last. “You’re — you’re not a hoax, then?”
It had been his last, desperate hope.
“No,” said Fudge gently. “No, I’m afraid I’m not. Look.”
And he had turned the Prime Minister’s teacup into a gerbil.
“But,” said the Prime Minister breathlessly, watching his teacup chewing on the corner of his next speech, “but why — why has nobody told me — ?”
“The Minister of Magic only reveals him- or herself to the Muggle Prime Minister of the day,” said Fudge, poking his wand back inside his jacket. “We find it the best way to maintain secrecy.”
“But then,” bleated the Prime Minister, “why hasn’t a former Prime Minister warned me — ?”
At this, Fudge had actually laughed.
“My dear Prime Minister, are you ever going to tell anybody?”
Still chortling, Fudge had thrown some powder into the fireplace, stepped into the emerald flames, and vanished with a whooshing sound. The Prime Minister had stood there, quite motionless, and realized that he would never, as long as he lived, dare mention this encounter to a living soul, for who in the wide world would believe him?
The shock had taken a little while to wear off. For a time, he had tried to convince himself that Fudge had indeed been a hallucination brought on by lack of sleep during his grueling election campaign. In a vain attempt to rid himself of all reminders of this uncomfortable encounter, he had given the gerbil to his delighted niece and instructed his private secretary to take down the portrait of the ugly little man who had announced Fudge’s arrival. To the Prime Minister’s dismay, however, the portrait had proved impossible to remove. When several carpenters, a builder or two, an art historian, and the Chancellor of the Exchequer had all tried unsuccessfully to prise it from the wall, the Prime Minister had abandoned the attempt and simply resolved to hope that the thing remained motionless and silent for the rest of his term in office. Occasionally he could have sworn he saw out of the corner of his eye the occupant of the painting yawning, or else scratching his nose; even, once or twice, simply walking out of his frame and leaving nothing but a stretch of muddy-brown canvas behind. However, he had trained himself not to look at the picture very much, and always to tell himself firmly that his eyes were playing tricks on him when anything like this happened.

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Friday, February 17, 2017

The Eyes of Darkness by Dean Koontz

The Eyes of Darkness by Dean Koontz



The Eyes of Darkness by Dean Koontz Book Cover image
It is a year since Tina Evans lost her little boy Danny in a tragic accident, a year since she began the painful process of trying to rebuild her life. Then a shattering message appears on the blackboard in Dannys old room: NOT DEAD. Is it someones idea of a grim joke? Or the tangible evidence of her tormented unconscious? Or something... more? 
The search for an answer, the search for Danny, demands a courage and endurance beyond any that Tina thought she possessed. Only her love for her son and her love for the one man who believes her drives her on, through the neon clamour of Las Vegas nightlife, the sun-scorched desert, and the frozen mountains of the High Sierra. 
People die, coldly, brutally, as a buried truth struggles to surface. A truth so incredible, so frightening, so dangerous that its secret must be kept at the price of any life - any man, any woman... any child.

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An Excerpt; The Eyes of Darkness by Dean Koontz Book

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AT SIX MINUTES PAST MIDNIGHT, TUESDAY MORNING, on the way home from a late rehearsal of her new stage show, Tina Evans saw her son, Danny, in a stranger’s car. But Danny had been dead more than a year.
Two blocks from her house, intending to buy a quart of milk and a loaf of whole-wheat bread, Tina stopped at a twenty-four-hour market and parked in the dry yellow drizzle of a sodium-vapor light, beside a gleaming, cream-colored Chevrolet station wagon. The boy was in the front passenger seat of the wagon, waiting for someone in the store. Tina could see only the side of his face, but she gasped in painful recognition.  Danny.
The boy was about twelve, Danny’s age. He had thick dark hair like Danny’s, a nose that resembled Danny’s, and a rather delicate jawline like Danny’s too. She whispered her son’s name, as if she would frighten off this beloved apparition if she spoke any louder.  Unaware that she was staring at him, the boy put one hand to his mouth and bit gently on his bent thumb knuckle, which Danny had begun to do a year or so before he died. Without success, Tina had tried to break him of that bad habit.
Now, as she watched this boy, his resemblance to Danny seemed to be more than mere coincidence. Suddenly Tina’s mouth went dry and sour, and her heart thudded. She still had not adjusted to the loss of her only child, because she’d never wanted — or tried — to adjust to it. Seizing on this boy’s resemblance to her Danny, she was too easily able to fantasize that there had been no loss in the first place.
Maybe . . . maybe this boy actually was Danny. Why not? The more that she considered it, the less crazy it seemed. After all, she’d never seen Danny’s corpse. The police and the morticians had advised her that Danny was so badly torn up, so horribly mangled, that she was better off not looking at him. Sickened, grief-stricken, she had taken their advice, and Danny’s funeral had been a closed-coffin service. But perhaps they’d been mistaken when they identified the body. Maybe Danny hadn’t been killed in the accident, after all. Maybe he’d only suffered a mild head injury, just severe enough to give him . . . amnesia. Yes. Amnesia. Perhaps he had wandered away from the wrecked bus and had been found miles from the scene of the accident, without identification, unable to tell anyone who he was or where he came from. That was possible, wasn’t it? She had seen similar stories in the movies. Sure. Amnesia. And if that were the case, then he might have ended up in a foster home, in a new life. And now here he was sitting in the cream-colored Chevrolet wagon, brought to her by fate and by —
The boy became conscious of her gaze and turned toward her. She held her breath as his face came slowly around. As they stared at each other through two windows and through the strange sulphurous light, she had the feeling that they were making contact across an immense gulf of space and time and destiny. But then, inevitably, her fantasy burst, for he wasn’t Danny.
Pulling her gaze away from his, she studied her hands, which were gripping the steering wheel so fiercely that they ached. “Damn.” She was angry with herself. She thought of herself as a tough, competent, levelheaded woman who was able to deal with anything life threw at her, and she was disturbed by her continuing inability to accept Danny’s death.
After the initial shock, after the funeral, she had begun to cope with the trauma. Gradually, day by day, week by week, she had put Danny behind her, with sorrow, with guilt, with tears and much bitterness, but also with firmness and determination. She had taken several steps up in her career during the past year, and she had relied on hard work as a sort of morphine, using it to dull her pain until the wound fully healed.
But then, a few weeks ago, she had begun to slip back into the dreadful condition in which she’d wallowed immediately after she’d received news of the accident. Her denial was as resolute as it was irrational. Again, she was possessed by the haunting feeling that her child was alive. Time should have put even more distance between her and the anguish, but instead the passing days were bringing her around full circle in her grief. This boy in the station wagon was not the first that she had imagined was Danny; in recent weeks, she had seen her lost son in other cars, in school-yardspast which she had been driving, on public streets, in a movie theater.
Also, she’d recently been plagued by a repeating dream in which Danny was alive. Each time, for a few hours after she woke, she could not face reality. She half convinced herself that the dream was a premonition of Danny’s eventual return to her, that somehow he had survived and would be coming back into her arms one day soon.
This was a warm and wonderful fantasy, but she could not sustain it for long. Though she always resisted the grim truth, it gradually exerted itself every time, and she was repeatedly brought down hard, forced to accept that the dream was not a premonition. Nevertheless, she knew that when she had the dream again, she would find new hope in it as she had so many times before. 

And that was not good.
Sick, she berated herself. She glanced at the station wagon and saw that the boy was still staring at her. She glared at her tightly clenched hands again and found the strength to break her grip on the steering wheel. Grief could drive a person crazy. She’d heard that said, and she believed it. But she wasn’t going to allow such a thing to happen to her. She would be sufficiently tough on herself to stay in touch with reality — as unpleasant as reality might be. She couldn’t allow herself to hope.
She had loved Danny with all her heart, but he was gone. Torn and crushed in a bus accident with fourteen other little boys, just one victim of a larger tragedy. Battered beyond recognition. Dead.
Cold.
Decaying.
In a coffin.
Under the ground.
Forever.
Her lower lip trembled. She wanted to cry, needed to cry, but she didn’t. The boy in the Chevy had lost interest in her. He was staring at the front of the grocery store again, waiting.
Tina got out of her Honda. The night was pleasantly cool and desert-dry. She took a deep breath and went into the market, where the air was so cold that it pierced her bones, and where the harsh fluorescent lighting was too bright and too bleak to encourage fantasies. She bought a quart of nonfat milk and a loaf of whole-wheat bread that was cut thin for dieters, so each serving contained only half the calories of an ordinary slice of bread. She wasn’t a dancer anymore; now she worked behind the curtain, in the production end of the show, but she still felt physically and psychologically best when she weighed no more than she had weighed when she’d been a performer.
Five minutes later she was home. Hers was a modest ranch house in a quiet neighborhood. The olive trees and lacy melaleucas stirred lazily in a faint Mojave breeze. In the kitchen, she toasted two pieces of bread. She spread a thin skin of peanut butter on them, poured a glass of nonfat milk, and sat at the table. Peanut-butter toast had been one of Danny’s favorite foods, even when he was a toddler and was especially picky about what he would eat. When he was very young, he had called it “neenut putter.” Closing her eyes now, chewing the toast, Tina could still see him — three years old, peanut butter smeared all over his lips and chin — as he grinned and said, More neenut putter toast, please.
She opened her eyes with a start because her mental image of him was too vivid, less like a memory than like a vision. Right now she didn’t want to remember so clearly. But it was too late. Her heart knotted in her chest, and her lower lip began to quiver again, and she put her head down on the table. She wept.
That night Tina dreamed that Danny was alive again. Somehow. Somewhere. Alive. And he needed her.

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Brain it on the truck! MOD APK 1 0 31 Mod Money Unlocked

Brain it on the truck! MOD APK 1 0 31 Mod Money Unlocked


APK INFO
Name of Game: Brain it on the truck!
VERSION: 1.0.31

Name of cheat:
-MOD MONEY
-UNLOCKED

Brain it on the truck! MOD APK 1.0.31 (Mod Money/Unlocked)

Manual Step:
1. Install APK
2. Play

Download the OBB file/SD file. They should be .zip or .rar files.
Extract the file to your sdcard.
Move the extracted folder to the location: /sdcard/Android/obb

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Thursday, February 16, 2017

Download Cut The Rope Magic APK 2016

Download Cut The Rope Magic APK 2016



Download Cut The Rope : Magic APK 2016 - Selamat siang teman sekalian, di moment pergantian tahun yang hanya tinggal hitungan jam lagi ini mimin masarietech.net mau share tentang game kece dan cute yang bernama Cut The Rope : Magic APK 2016. For your info guys, setelah lebih dari 800 juta download, seri Cut the Rope kembali dengan sekuel ajaib yang baru yaitu Cut the Rope : Magic! mengikuti petualangan terbaru Om Nom dan mengubahnya menjadi bentuk ajaib untuk membantu monster kecil yang baik me-recover permen yang dicuti oleh seorang penyihir jahat.

Screenshot :



Strategi yang perlu anda ketahui :
  • Tidak ada solusi yang benar pada setiap level
  • Restart sebanyak mungkin yang anda butuhkan
  • Atur pada bagaimana berjalannya transformasi ajaib
  • Gunakan kekuatan anti gravitasi penyihir untuk melawannya
  • Frustasi ? baiknya kembali mengulang
LINK DOWNLOAD :

Download Cut the Rope : Magic 1.4.2 for Android 4.0+ APK
Download Cut the Rope : Magic 1.4.1 for Android 4.0+ APK
Download Cut the Rope : Magic 1.4.0 for Android 4.0+ APK
Download Cut the Rope : Magic 1.1.0 for Android 4.0+ APK
Download Cut the Rope : Magic 1.0.0 for Android 4.0+ APK

Demikian share tentang Cut the Rope : Magic APK 2016, semoga bermanfaat dan selamat merayakan tahun baru 2017.

Source : apkpure.com

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