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Deucalion—Victor’s first, haunted creation—saw his maker die in New Orleans two years earlier. Yet an unshakable intuition tells him that Victor lives—and is at work again. Within hours Deucalion will come together with his old allies, detectives Carson O’Connor and Michael Maddison, Victor’s engineered wife, Erika Five, and her companion Jocko to confront new peril. Others will gather around them. But this time Victor has a mysterious, powerful new backer, and he and his army are more formidable, their means and intentions infinitely more deadly, than ever before.

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An Excerpt from Lost Souls by Dean Koontz Book

The October wind came down from the stars. With the hiss of an artist’s airbrush, it seemed to blow the pale moonlight like a mist of paint across the slate roofs of the church and abbey, across the higher windows, and down the limestone walls. Where patches of lawn were bleached by recent cold, the dead grass resembled ice in the lunar chill.

At two o’clock in the morning, Deucalion walked the perimeter of the seven-acre property, following the edge of the encircling forest. He needed no lamplight to guide him; and he would have needed none even deep in the blackness of the mountain woods.

From time to time, he heard sounds of unknown origin issuing from among the towering pines, but they inspired no anxiety. He carried no weapon because he feared nothing in the forest, nothing in the night, nothing on Earth. Although he was unusually tall, muscled, and powerful, his physical strength was not the source of his confidence and fortitude. He went downhill, past St. Bartholomew’s School, where orphans with physical and developmental disabilities flew in their sleep, while Benedictine nuns watched over them. According to Sister Angela, the mother superior, the most commonly reported dream of her young charges was of flying under their own power, high above the school, the abbey, the church, the forest. Most of the windows were dark, although lights glowed in Sister Angela’s office on the ground floor. Deucalion considered consulting her, but she didn’t know the full truth of him, which she would need to know in order to understand his problem. 

Centuries old but young in spirit, born not of man and woman, but instead constructed from the bodies of dead felons and animated by strange lightning, Deucalion was most at home in monasteries. As the first—and, he believed, the sole surviving—creation of Victor Frankenstein, he belonged nowhere in this world, yet he did not feel like an outsider at St. Bartholomew’s Abbey. Previously, he had been comfortable as a visitor in French, Italian, Spanish, Peruvian, and Tibetan monasteries. He’d left his quarters in the guest wing because he was plagued by a suspicion that seemed irrational but that he couldn’t shake. He hoped that a walk in the cool mountain air would clear his troubled mind.

By the time Deucalion circled the property and arrived at the entrance to the abbey church, he understood that his suspicion arose not from deductive reasoning but instead from intuition. He was wise enough and sufficiently experienced to know that intuition was the highest form of knowledge and should never be ignored. Without passing through the door, he stepped out of the night and into the narthex of the church. At the entrance to the nave, he dared to dip two fingers in the font, make the sign of the cross, and invoke the Father, the Son, and the Holy Spirit. His existence was a blasphemy, a challenge to sacred order, because his maker—a mere mortal—had been in rebellion against the divine and against all natural law. Yet Deucalion had reason to hope that he was not just a thing of meat and bone, that his ultimate fate might not be oblivion. Without walking the length of the center aisle, he went from the threshold of the nave to the distant sanctuary railing. The church lay mostly in shadows, brightened only by a sanctuary light focused on the crucifix towering over the altar and by votive candles flickering in crimson-glass cups.

As Deucalion appeared at the railing, he realized that another shared the church with him. Glimpsing movement from the corner of his eye, he turned to see a monk rising from the first pew. At five feet seven and two hundred pounds, Brother Salvatore was less fat than solid, as an automobile compacted into a cube by a hydraulic press was solid. He looked as if bullets would ricochet off him. The hard angles and blunt edges of Salvatore’s face might have given him a threatening aspect in his youth, when he lived outside the law. But sixteen years in the monastery, years of remorse and contrition, softened his once-cold gray gaze with kindness and reshaped his smile from brutish to beatific. 

At the abbey, he was Deucalion’s closest friend. His large hands, holding a rosary, seemed to be all knuckles, which is what his associates had called him in his former life. Here at St. Bartholomew’s, he was affectionately known as Brother Knuckles.
“Who was it they said murdered sleep?” Knuckles asked.
“Macbeth.”
“I figured you’d know.” 
Perhaps because he was born from the dead, Deucalion lacked the daily need for sleep that was a trait of those born from the living. On the rare nights when he slept, he always dreamed. Brother Knuckles knew the truth of Deucalion: his origin in a laboratory, his animation by lightning, his early crimes, and his quest for redemption. The monk knew, as well, that during Deucalion’s sleepless nights, he usually occupied himself with books. In his two centuries, he had read and reread more volumes than were contained in all but the largest of the world’s libraries.
“With me it ain’t Macbeth. It’s memory,” said the monk. “Memory is pure caffeine.”
“You’ve received absolution for your past.”
“That don’t mean the past didn’t happen.”
“Memories aren’t rags that come clean with enough wringing.”
“Guess I’ll spend the rest of my life wringing them anyway. What brings you here?”
Raising one hand to trace the contours of the ruined half of his once handsome face, Deucalion murmured, “He is risen.” Looking at the crucifix, the monk said, “That ain’t exactly news, my friend.”
“I refer to my maker, not yours.”
“Victor Frankenstein?” That name seemed to echo across the vaulted ceiling as no other words had echoed. “Victor Helios, as he most recently called himself. I saw him die. But he lives again. Somehow … he lives.”
“How do you know?”
Deucalion said, “How do you know the most important thing you know?” 
Glancing again at the crucifix, the monk said, “By the light of revelation.”
“There is no light in my revelation. It’s a dark tide in my blood—dark, cold, thick, and insistent, telling me He’s alive.”